I Love You But I’ve Chosen Darkness
The Owl
from Fear Is On Our Side
This is the best animated music video I’ve ever seen.
This is the best animated music video I’ve ever seen.
One of the most difficult questions for me to answer in recent years is What’s your favorite band of all time? There are a lot of bands who have had a lot of impact in my life. As I get older, I gravitate toward a much easier sound. The bands I have followed for the last decade or so are downright soft. A couple of these softer bands not only get regular rotation, but manage to create music that I identify with better than any other music I’ve ever listened to.
But one band started the whole thing. My music addiction can be traced directly to Operation Ivy.
I hated Silence of the Lambs. Hated it. And not because it was too gruesome or because I somehow convinced myself that it was a bad movie. No, my distaste is much more basic. I found the movie exceptionally frustrating as a sequel.
“A sequel?” you say? Yes, a sequel. It’s somewhat more common knowledge now than it was in 1991, but Silence of the Lambs is, in fact, a sequel. The original movie is a classic thriller called Manhunter. I watched it with my mom when I was, I dunno, like 12. More than being a great childhood memory, it is an amazing movie.
Unfortunately, as a sequel, Lambs fell flat. I went into it expecting an extension on the first brilliant film, but, of course, it was intended to stand on its own.
That’s how I felt about Travistan.
I’ve been seriously contemplating writing a Best Albums of 2007 list in the first few weeks of the year, just to see how close I can get. Most of it would be based on expectation and conjecture. I wouldn’t be able to account for the surprise hits or debut albums. And, of course, it is impossible for pre-emptive Best-of lists to measure the emotional impact any specific album will have had by the end of the year. So I decided against it. Regardless, this is shaping up to be a very good year for music.
Well, Wincing the Night Away is a sure bet for the Top Ten of 2007. If ten better albums are released this year, I’ll be shocked. In fact, if this album ends up on 5 or fewer Top Ten lists over at Metacritic, I’ll eat a crayon.
Compiling a list of Best Albums is actually a lot easier that deciding on the Best Songs. So much comes in to play with individually released tracks because they are essentially short-form advertisements for artists. A single has to create a lot of buzz before it has any serious impact. There’s also the One Hit Wonder effect. A song may perfectly represent a given year even when it comes from an artist or band with no real staying power (remember Soul Asylum? Yeah, neither does anybody else).
Full albums, on the other hand, are a much better representation of an artist’s actual talent. Critics can conveniently ignore the One Hit Wonders and concentrate on the albums that actually made you stop and listen. More importantly, those of us who are hopelessly addicted to music actually prefer listening to full albums. Rather than playlists with a lot of great singles, we throw whole albums onto our iPods.
By the end of the year, you generate a pretty clear idea of which albums made the biggest impact. Typically, it’s the albums that you could listen to without skipping a single track. In Must Own Monday tradition, the ten albums below the fold provide the best and most complete albums of 2006.